Maya Dunietz – Sound Requires a Medium
Join the CCA for Events Inspired by Sound Requires a Medium: Thursday, January 7, 7pm Ariel Efraim Ashbel – We’ll Take It From Here: Five Pop-Performative Études and a Talk
Monday, January 18, 7pm Michal Oppenheim: Eres
Monday, January 25, 7pm Panel: The Form of Sound with Ori Drumer, Dganit Elyakim and Emmanuel Witzthum
Thursday, February 11-12, 2016, 21:00 Sleepover with Maya Dunietz and Friends Wednesday, February 17, 7pm Boom2: Maya Dunietz and Dani Meir Artist Talk: Maya Dunietz in Conversation with Dani Meir and Gilad Ratman
Wednesday, February 24, 7pm Mines, Yoni Silver, and Lover’s Ritual: An Evening of Contemporary Improvisational Music
The CCA is pleased to present Sound Requires a Medium, Maya Dunietz’s first solo, large-scale, site-specific, sound art exhibition. Dunietz is a composer, musician, and sound artist based in Israel whose work ranges from composing for ensembles and choirs, performing as a pianist and singer, and creating sound installations. She founded the Givol Choir, an experimental vocal ensemble and is a member of the band “Habiluim.” Her work has been presented at venues including the Palais de Tokyo, Paris (2014), Arnolfini, UK (2013), and the Swiss Pavilion at the Venice Biennale (2011). Dunietz has recently been awarded the Prime Minister’s Prize for Composers.
Dunietz works at the intersection of visual art, music, sound, and performance. In all of these mediums, her practice is abstract and experimental, intent on shifting viewers’ and listeners’ attention to the essence of perception. Dunietz is inspired by sound theorists, scientists and philosophers, such as Lord Kelvin and his exploration of sound, matter and space, and Pauline Oliveros who coined the term and practice of “Deep Listening” that aims to connect individuals to their environments and open us up to one another.
Sound Requires a Medium centers on a room-wide installation comprising 10,000 intertwined earbuds. Visitors walk through the labyrinthine structure to take in the dynamic sounds emanating from the earbuds that come together to create a rich and blossoming soundscape, physically pulsating from the sheer quantity of musical sources. The exhibition also includes a series of musical objects made of unexpected materials such as a mechanical bird whistle, a “talking” wall, a sound work heard through one’s teeth when biting a straw, and a shaking piano.
The specially crafted pieces and the large installation are experiential and interactive, with music composed specifically for them and their architectural surroundings. Each work activates the viewer in different ways – from biting a metal rod, to pressing one’s body against a sonic wall, to caressing a shaking piano, and to the impromptu “dance” that is performed by each viewer as he or she navigates the large earbud installation.
The physical engagement with Dunietz’s work is a direct extension of her experimental practice as a composer who constantly stretches the boundaries of the medium, seeking to explore the human capacity to consume and produce sound in infinitely myriad ways. Inspired by pioneering musicians and sound artists ranging back to John Cage and La Monte Young, Dunietz also traces her artistic heritage to the Dada movement through her reliance on improvisation and interdisciplinary methodologies. She works with sound as a plastic medium and considers music within a material world. The result is a captivating project that “resets” the ways in which viewers and listeners perceive their surroundings.
The exhibition will be accompanied by a series of performative events, lectures, and special educational happenings.
Curated by Chen Tamir
Sound Requires a Medium is supported by the Ministry of Culture and Sport, Outset Contemporary Art Fund, the Israeli Lottery Arts Council, Ai Research and Development in Artificial Intelligence, and the Anna Milo Foundation