"Double Booking" is a series of time-based events in which artists are invited to work side-by-side or sequentially out of a desire to explore potential points of convergence. Choreographer Tamar Sofia Kisch and musician Human (Uri Sandbank Rahat) inaugurate experimenting with the series in the office space of the Center for Contemporary Art.

Watching Over by Tamar Sofia Kisch takes place in the CCA office outside of regular operating hours. The work transforms the administrative space, usually hidden from visitors' eyes, into a performance arena where the body moves between its ability to act, resist, and generate presence while being subject to surveillance.

Two solos are captured via security cameras. The recorded images are projected in black-and-white onto screens, positioning the body as an object subjected to a double gaze. The simultaneous projection highlights the gap between the live event and its capturing through an external eye: the camera functions as a peephole, magnifying delicate details while leaving partial information outside the frame. The body appears simultaneously as a female body within a consumerist field of images, as an animal documented in its environment, and at times as an abstract stain in the landscape.

Created and performed by: Tamar Sofia Kisch

Performer: Yael Wachman

The work was developed during residency programs at HaMagogah Culture Center, with the support of the Rabinovich Foundation for the Arts, Tel Aviv, and the Yasmeen Godder Company as part of its Guest Artist Program.

Performance in the Office by Human (Uri Sandbank Rahat) is an electroacoustic improvisation performance combining cassette tapes, field recordings, and processed electric guitar.

Created and performed by: Human (Uri Sandbank Rahat)

Special thanks: Zimmer

Curators: Kim Kertesz and Tal Yahas

Duration: Approx. 60 minutes

Admission: 60 ILS

For tickets, click here

Latecomers will not be admitted.

Images:

Tamar Sofia Kisch, Watching Over, 2026 (detail)

Tamar Sofia Kisch, Watching Over, 2026. Photo: Shira Mark

Uri Sandbank Rahat in performance. Photo: Roei Elmakiass